Edyta Rice braved inclement weather to capture this incredible seascape of a lighthouse being battered by towering waves ...
Dancing butterflies, a hidden hare, and a French Fry’s-eye-view of hungry pigeons make up the winners of the British Wildlife ...
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The Nikon Z 35mm f/1.2 S does really well in this respect. Sharpness across almost the entire frame is excellent even at f/1.2, and still very respectable in the extreme corners. Even so, stopping to ...
Images, and the devices that capture them, are my focus. I've covered cameras at PCMag for the past 13 years, which has given me a front row seat for the DSLR to mirrorless transition, the ...
The ultra-telephoto camera is also capable of shooting at 200mm (equiv.) with digital zoom. The wide-angle lens, a 50MP 14mm equiv. F2.2 lens with a Type 1/2.76 (5.2 x 3.9mm) sensor, rounds out the ...
When you buy through links on our articles, Future and its syndication partners may earn a commission. For the past 20 years, my career as a sports photographer has been defined by two lenses: the ...
For the past 20 years, my career as a sports photographer has been defined by two lenses: the Nikon 200mm f/2 and the Nikon 600mm f/4. These primes have been my workhorses, delivering unparalleled ...
For full frame, the company is introducing L-mount versions of its 50mm F1.8 and 85mm F1.8, which already exist for Sony E-mount and Nikon Z-mount. It is also releasing a new 24mm F1.8 for E, Z and ...
At 2,475g, Sony's 400-800mm lens is weightier than Canon's super-telephoto, plus it's slightly pricier while Canon's lens has a 4x optical zoom which can zoom out wider to 200mm. For people with a ...
After writing an article last week on Peter Lindbergh's use of his Nikon DSLR, I couldn't help but feel guilty ... To explore these questions, I took my D750, paired with my once trusty Sigma 70-200mm ...