Why the stark 20th-century architectural style is back in vogue.

The further “The Brutalist” progresses along its 215-minute track, the more evident it becomes that co-writer/director Brady Corbet sees himself in his protagonist, László Toth (Adrien Brody), the ...

Bauhaus architects like Walter Gropius and Mies van der Rohe fled Nazi Germany, but not all of them went to the US.

Stan Brooks, a film and TV veteran, says that the tinkering done on Brady Corbet's Oscar-nominated film should not be misrepresented as artificial intelligence of the jobs-threatening variety: "We do ...

The Brutalist is one of the movies of the year and was shot almost ... The film was developed and scanned at the Budapest NFI FilmLab, with the digital dailies processed through Post Office Films, a ...

Ultimately, the best part of these nominations is that they do what Oscar nominations always do: make movies feel special.

Adrien Brody and Felicity Jones’ work in The Brutalist is “completely their own,” the film’s director says, despite the use of artificial intelligence-driven technology on their performances.

More importantly, it reported the best per-theater average at the domestic box office this weekend. The film's $25,000 PTA puts it ahead of not only The Brutalist, but also holdover hits such as ...

It not a blockbuster MLK weekend but indies are out in force with The Brutalist continuing to surprise, The Substance adding theaters and Nosferatu, A Complete Unknown and Babygirl holding at nos. 7, ...

Despite that, significant contenders “The Brutalist” (A24 ... “The Room Next Door” (Sony Pictures Classics) $659,485 in 861, “Hard Truths” (Bleecker Street) $153,197 in 121, and ...

It not a blockbuster MLK weekend but indies are out in force with The Brutalist continuing to surprise ... 7, 8 and 10 at the domestic box office. Robert Eggers’ vampire fest from Focus Features ...

“The Room Next Door” (In limited theaters) Pedro Almodóvar’s English language film about assisted suicide starring Julianne Moore and Tilda Swinton won the top prize at the Venice Film ...