For a further gathering of reflections on Jenness’s life and legacy, go here. Most of us who loved Morgan Jenness have heard her inciting incident. I love to hear how others have heard it, and I loved ...
The Latino Theater Company’s border-defying Encuentro, the fourth of its kind, gathered hundreds of Latine artists for productions, partnerships, and dialogues in multiple languages. Born in Covid ...
After more than a quarter century in the theatre, Athol Fugard has found a new vantage point from which to review his past and conjecture about the future.
Formerly Making Books Sing, this New York-based company has dedicated itself to creating work by local artists, for local audiences. This episode of OffScript features an interview with James McNeel, ...
Excerpts from a tribute to the path-breaking director’s unique career in the theatre. A.L. Rowse cannot ruin the unique grace and style of Shakespeare’s language; but he taints it more than a little.
The most pressing issue confronting the American theatre today is the relationship between the institutions and the artists that develop the work.
New ventures in Denver, Detroit, and New York City, a close call for St. Paul’s Penumbra, an Al Hirschfeld exhibit, and more.
A new collection of criticism ranges from infuriating to perceptive, banal to brilliant.
What a mystery it is that these tiny and ever-shrinking dramacules—these death rattles—can bring so much life to the theatre.
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